“Sommaren med Monika – Summer With Monika” is the story of the youth looking for enjoying life to the full, breaking free from the old, the staid, the sordid. It is two very young persons, not even 20, chatting in a café, after the girl, fidgeting at her table, holding a cigarette, asked for a light for her cigarette…

First come booming, ear-splitting, savage sounds of music: the establishing shot is a medium shot on a young, half-naked, heavily tattooed drummer, the settings are the kind of compact stage hosting small rock, in this case of course metal, bands in unassuming musical venues visited by young and loyal…

Shot in close-ups, an infant girl quietly plays alone. A cut: the camera now shows her mother telling a friend about her worries. Another cut: the father comes in and gently mocks her. This pattern would prove long to break: as Mandy Garland slides into her own world, getting out of reach from others, her…

Three year after “The Rider”, five years after “Songs My Brothers Taught me”, director Chloé Zhao keeps watches folks on the fringe of the American society, communities grappling with challenges and isolation in scenic places, great vistas of the American landscape where the American dream…

Slightly overexposed shots capture with much tenderness, one dainty step after another, the sexual intercourse between two bodies, male and female it seems, till after love was made it turns out the overly made-up and coiffed face actually belonged to a boy. After sex the middle-aged man…

The establishing shots show the lead character of the last film directed by Luchino Visconti battling with his fencing teacher, displaying his skills and strength. But Tullio Hermil must cut short his training to attend a party, held in a glitzy old palazzo, a party that is another amazing spectacle of elegant, refined…

Until they conflate into the final tragedy, two kind of pictures alternate throughout the montage. The first barely change: a frozen shot composition highlighting the usually stern words of a single speaker staring at the camera, seemingly talking to a group of persons, and actually to the audience. The…

Gustav Von Aschenbach is a dapper and distinguished middle-aged German musician. But in the first scenes of the film, he is above all a fussy, cantankerous traveler, a frail, nervous fellow, the kind of upper class man always complaining about service, and bemoaning the weather. He cuts both…

People pace up and down the great rooms and long corridors of the stately castle: a party is going to be thrown, to celebrate the birthday of the patriarch. A few remarks, a woman on tenterhooks, men flushed with anger, each in his room, a strange talk in a car riding a road (it is barely missed by another…

Latin cadences are wafting into the golden air of Sicily from a palazzo’s room the camera approaches with slow sliding motions until it eventually steps in through a French window; it then circles around, capturing all the people attending to this late afternoon prayers the priest fervently reciting the holy text…

Countess Livia Serpieri’s life is at first buffeted by her allegiance to two different men: on the one hand, her husband the Count, older than her and an opportunistic supporter of the Austrian Empire which is ruling Venice, their city, in 1866, while the rest of Italy (save the Papal States) has become a…

This is a small, awkward world. It squeezes people in tiny places, stifles their sentiments, forces them to huddle tight and yet intimacy feels elusive. They struggle to carve up a space for themselves, but have to cope with whatever space society has designed for them. So they are shot walking…

She is in a phase, her mother claims. Clearly the teenager is sullen and cross, she does not feel well and the trouble is that she may have a hunch about the cause. She tentatively goes to a Planned Parenthood center and takes a test. The outcome is unequivocal: she is pregnant, what she obviously did not…

The first title card explains the title, right away putting on a high moral ground the lead character, defined as an embodiment of strong virtuous feelings and acute social problems, a mythic figure amid the harsh and hectic modernity, an ideal incarnate, and so much so that she is known as a concept…

She gingerly steps out of the jail, looks around eagerly, smiles, but then frowns, puts a daunting sulky face, and walks away briskly. In the next scene, she arrives with big, farcical strides in a flea market, throws unkind remarks at a man trying to fill an old tire with air, and starts yelling she is crazy…